Roman Cybele

According to Livy in 210 BCE, an archaic version of Cybele, from Pessinos in Phrygia, as mentioned above, that embodied the Great Mother was ceremoniously and reverently moved to Rome, marking the official beginning of her cult there. Rome was embroiled in the Second Punic War at the time (218 to 201 BCE). An inspection had been made of the Sibylline Books and some oracular verses had been discovered that announced that if a foreign foe should carry war into Italy, that foe could be driven out and conquered if the Mater Magna were brought from Pessinos to Rome. The Romans also consulted the Greek oracle at Delphi, which also recommended bringing the Magna Mater "from her sanctuary in Asia Minor to Rome."[4] Publius Cornelius Scipio Nasica was ordered to go to the port of Ostia, accompanied by all the matrons, to meet the goddess. He was to receive her image as she left the vessel, and when brought to land he was to place her in the hands of the matrons who were to bear her to her destination, the Temple of Victory on the Palatine Hill. The day on which this event took place, 12 April, was observed afterwards as a festival, the Megalesian.[5]

Plutarch relates that in 103 BCE, Battakes, a high priest of Cybele, journeyed to Rome to announce a prediction of Gaius Marius's victory over the Cimbri and Teutoni. A. Pompeius, plebeian tribune, together with a band of ruffians, chased Battakes off of the Rostra. Pompeius supposedly died of a fever a few days later.[6]

Under the emperor Augustus, Cybele enjoyed great prominence thanks to her inclusion in Augustan ideology. Augustus restored Cybele's temple, which was located next to his own palace on the Palatine Hill. On the cuirass of the Prima Porta of Augustus, the tympanon of Cybele lies at the feet of the goddess Tellus. Livia, the wife of Augustus, ordered cameo-cutters to portray Cybele with her likeness.[7] The Malibu statue of Cybele bears the visage of Livia.[8]. The cult seems to have been fully accepted under Claudius as the festival of Magna Mater and Attis are included within the stes religious calendar. At the same time the chief priest of the cult (the archigallus) was permitted to be a Roman citizen, so long as he was not a eunuch.

Under the Roman Empire the most important festival of Cybele was the Hilaria, taking place between March 15 and March 28. It symbolically commemorated the death of Attis and his resurrection by Cybele, involving days of mourning followed by rejoicing. Celebrations also took place on 4 April with the Megalensia festival, the anniversary of the arrival of the goddess (i.e the Black Stone) in Rome. On the 10th April, the anniversary of the consecration of her temple on the Palatine, a procession of her image was carried to the Circus Maximus where races were held. These two dates seem to be incorporated within the same festival, though the evidence for what took place in between is lacking.

The most famous rite of Magna Mater introduced by the Romans was the taurobolium, the initiation ceremony in which a candidate took their place in a pit beneath a wooden floor. A bull was sacrificed on the wooden floor so that the blood would run through gaps in the slats and drench the initiate in a symbolic shower of blood. This act was thought to cleanse an initiate of sin as well as signify a 'rebirth' and re-energisation. A cheaper version, known as a criobolium, involved the sacrifice of a ram. The first recorded taurobolium took place at Puteoli in AD 134 in honour of Venus Caelestia.[9]

In Roman mythology, Cybele was given the name Magna Mater deorum Idaea ("great Idaean mother of the gods"), in recognition of her Phrygian origins (although this title was given to Rhea also).

Roman devotion to Cybele ran deep. Not coincidentally, when a Christian basilica was built over the site of a temple to Cybele to occupy the site, the sanctuary was rededicated to the Mother of God, as the Basilica di Santa Maria Maggiore. However, later, Roman citizens were forbidden to become priests of Cybele, who were eunuchs like those of their Asiatic Goddess.

The worship of Cybele was exported to the empire, even as far away as Mauretania, where, just outside Setif, the ceremonial "tree-bearers" and the faithful (religiosi) restored the temple of Cybele and Attis after a disastrous fire in 288 CE. Lavish new fittings paid for by the private group included the silver statue of Cybele and the chariot that carried her in procession received a new canopy with tassels in the form of fir cones. (Robin Lane Fox, Pagans and Christians, p 581.) The popularity of the Cybele cult in the city of Rome and throughout the empire is thought to have inspired the author of Book of Revelation to allude to her in his portrayal of the mother of harlots who rides the Beast. Cybele drew ire from Christians throughout the Empire; famously, St. Theodore of Amasea is said to have spent the time granted to him to recant his beliefs, burning a temple of Cybele instead.[10]

Today, a modern monumental statue of Cybele can be found in one of the principal traffic circles of Madrid, the Plaza de Cibeles (illustration, lower right).