Elagabalus - Roman Emperor: 218-222 A.D. -
Bronze 16mm (3.0 grams) from Markianopolis in Moesia Inferior 218-222 A.D.
AVT K M AVP ANTΩNINOC, Laureate head right.
MARKIANOΠOΛITΩN, serpent entwined around central leg of tripod.
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A sacrificial tripod was a type of
altar used by the
ancient Greeks. The most famous was the
Delphic
tripod, on
which the Pythian
priestess took her seat to deliver the
oracles of the
deity. The seat was formed by a circular slab on the top of the tripod, on which
a branch of
laurel was deposited when it was unoccupied by the priestess. In this sense,
by Classical times the tripod was sacred to
Apollo. The
mytheme of
Heracles
contesting with Apollo for the tripod appears in vase-paintings older than the
oldest written literature. The oracle originally may have been related to the
primal deity, the Earth.
Another well-known tripod was the
Plataean Tripod, made from a tenth part of the spoils taken from the
Persian army after the
Battle of Plataea. This consisted of a golden basin, supported by a
bronze
serpent with three heads (or three serpents intertwined), with a list of the
states that had taken part in the war inscribed on the coils of the serpent. The
golden bowl was carried off by the
Phocians during
the
Third Sacred War; the stand was removed by the emperor
Constantine to
Constantinople (modern
Istanbul),
where it still can be seen in the
hippodrome, the Atmeydanı, although in damaged condition, the heads
of the serpents disappeared however one is now on display at the nearby Istanbul
Archaeology Museums. The inscription, however, has been restored almost
entirely. Such tripods usually had three ears (rings which served as
handles) and frequently had a central upright as support in addition to the
three legs.
Tripods frequently are mentioned by
Homer as prizes
in
athletic games and as complimentary gifts; in later times, highly decorated
and bearing inscriptions, they served the same purpose. They also were used as
dedicatory
offerings to the deities, and in the dramatic contests at the
Dionysia
the victorious
choregus (a wealthy citizen who bore the expense of equipping and training
the chorus) received a crown and a tripod. He would either dedicate the tripod
to some deity or set it upon the top of a marble structure erected in the form
of a small circular temple in a street in
Athens, called
the street of tripods, from the large number of memorials of this kind.
One of these, the
Choragic Monument of Lysicrates, erected by him to commemorate his victory
in a dramatic contest in
335 BC, still
stands. The form of the victory tripod, now missing from the top of the
Lysicrates monument, has been rendered variously by scholars since the
eighteenth century.
The scholar
Martin L. West writes that the sibyl at Delphi shows many traits of
shamanistic practices, likely inherited or influenced from Central Asian
practices. He cites her sitting in a cauldron on a tripod, while making her
prophecies, her being in an ecstatic trance state, similar to shamans, and her
utterings, unintelligible.
According to Herodotus (The Histories, I.144), the victory tripods were not
to be taken from the temple sanctuary precinct, but left there for dedication.
Marcianopolis, or Marcianople was an ancient Roman city in
Thracia. It was located at the site of modern day
Devnya,
Bulgaria.
The city was so renamed by Emperor
Trajan after
his sister
Ulpia Marciana, and was previously known as Parthenopolis. Romans repulsed a
Gothic attack to
this town in 267 (or
268), during the
reign of
Gallienus.
Diocletian
made it the capital of the
Moesia Secunda province.
Valens made
it his winter quarters in 368 and succeeding years, Emperor
Justinian
I restored and fortified it. In 587, it was sacked by the king of the
Avars but at once retaken by the Romans. The Roman army quartered there in
596 before crossing the Danube to assault the Avars.
Between 893 and 972 it was one of the most important medieval cities in
south-eastern Europe.
Elagabalus
(pronounced El-uh-GAB-uh-lus, c. 203 – March 11, 222), also known as
Heliogabalus or Marcus
Aurelius Antoninus, was a
Roman
Emperor of the
Severan dynasty who reigned from 218 to 222. Born Varius Avitus Bassianus,
he was
Syrian on his mother's side, the son of
Julia Soaemias and
Sextus Varius Marcellus, and in his early youth he served as a priest of the
god
El-Gabal at his hometown,
Emesa. Upon becoming emperor he took the name Marcus Aurelius Antoninus
Augustus, and was called Elagabalus only a long time after his death.
In 217,
the emperor
Caracalla was murdered and replaced by his
Praetorian prefect, Marcus Opellius
Macrinus.
Caracalla's maternal aunt,
Julia
Maesa, successfully instigated a revolt among the
Third Legion to have her eldest grandson, Elagabalus, declared as emperor in
his place. Macrinus was defeated on June 8, 218, at the
Battle of Antioch, upon which Elagabalus, barely fourteen years old,
ascended to the imperial power and began a reign that was marred by infamous
controversies, to put it mildly.
During his rule, Elagabalus showed a disregard for Roman religious traditions
and sexual taboos. He was married as many as five times and is reported to have
prostituted himself in the imperial palace. Elagabalus replaced
Jupiter, head of the
Roman pantheon, with a new god,
Deus
Sol Invictus, and forced leading members of Rome's government to
participate in religious rites celebrating this deity, which he personally led.
Amidst growing opposition, Elagabalus, only 18 years old, was assassinated
and replaced by his cousin
Alexander Severus on March 11, 222, in a plot formed by his grandmother,
Julia Maesa, and members of the
Praetorian Guard. Elagabalus developed a reputation among his contemporaries
for eccentricity, decadence, and zealotry which was likely exaggerated by his
successors and political rivals.
This propaganda was passed on and, as a result, he was one of the most reviled
Roman emperors to early historians. For example,
Edward Gibbon wrote that Elagabalus "abandoned himself to the grossest
pleasures and ungoverned fury."
"The name Elagabalus is branded in history above all others" because of his
"unspeakably disgusting life," wrote
B.G. Niebuhr.
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