Item: i9429

Certified Authentic Ancient Roman Coin of:

Elagabalus - Roman Emperor: 218-222 A.D. -
Bronze 16mm (3.0 grams) from Markianopolis in Moesia Inferior 218-222 A.D.
AVT K M AVP ANTΩNINOC, Laureate head right.
MARKIANOΠOΛITΩN, serpent entwined around central leg of tripod.

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A sacrificial tripod was a type of altar used by the ancient Greeks. The most famous was the Delphic tripod, on which the Pythian priestess took her seat to deliver the oracles of the deity. The seat was formed by a circular slab on the top of the tripod, on which a branch of laurel was deposited when it was unoccupied by the priestess. In this sense, by Classical times the tripod was sacred to Apollo. The mytheme of Heracles contesting with Apollo for the tripod appears in vase-paintings older than the oldest written literature. The oracle originally may have been related to the primal deity, the Earth.

Another well-known tripod was the Plataean Tripod, made from a tenth part of the spoils taken from the Persian army after the Battle of Plataea. This consisted of a golden basin, supported by a bronze serpent with three heads (or three serpents intertwined), with a list of the states that had taken part in the war inscribed on the coils of the serpent. The golden bowl was carried off by the Phocians during the Third Sacred War; the stand was removed by the emperor Constantine to Constantinople (modern Istanbul), where it still can be seen in the hippodrome, the Atmeydanı, although in damaged condition, the heads of the serpents disappeared however one is now on display at the nearby Istanbul Archaeology Museums. The inscription, however, has been restored almost entirely. Such tripods usually had three ears (rings which served as handles) and frequently had a central upright as support in addition to the three legs.

Tripods frequently are mentioned by Homer as prizes in athletic games and as complimentary gifts; in later times, highly decorated and bearing inscriptions, they served the same purpose. They also were used as dedicatory offerings to the deities, and in the dramatic contests at the Dionysia the victorious choregus (a wealthy citizen who bore the expense of equipping and training the chorus) received a crown and a tripod. He would either dedicate the tripod to some deity or set it upon the top of a marble structure erected in the form of a small circular temple in a street in Athens, called the street of tripods, from the large number of memorials of this kind. One of these, the Choragic Monument of Lysicrates, erected by him to commemorate his victory in a dramatic contest in 335 BC, still stands. The form of the victory tripod, now missing from the top of the Lysicrates monument, has been rendered variously by scholars since the eighteenth century.

The scholar Martin L. West writes that the sibyl at Delphi shows many traits of shamanistic practices, likely inherited or influenced from Central Asian practices. He cites her sitting in a cauldron on a tripod, while making her prophecies, her being in an ecstatic trance state, similar to shamans, and her utterings, unintelligible.

According to Herodotus (The Histories, I.144), the victory tripods were not to be taken from the temple sanctuary precinct, but left there for dedication.

Marcianopolis, or Marcianople was an ancient Roman city in Thracia. It was located at the site of modern day Devnya, Bulgaria.

The city was so renamed by Emperor Trajan after his sister Ulpia Marciana, and was previously known as Parthenopolis. Romans repulsed a Gothic attack to this town in 267 (or 268), during the reign of Gallienus. Diocletian made it the capital of the Moesia Secunda province.

Valens made it his winter quarters in 368 and succeeding years, Emperor Justinian I restored and fortified it. In 587, it was sacked by the king of the Avars but at once retaken by the Romans. The Roman army quartered there in 596 before crossing the Danube to assault the Avars.

Between 893 and 972 it was one of the most important medieval cities in south-eastern Europe.


Elagabalus (pronounced El-uh-GAB-uh-lus, c. 203 – March 11, 222), also known as Heliogabalus or Marcus Aurelius Antoninus, was a Roman Emperor of the Severan dynasty who reigned from 218 to 222. Born Varius Avitus Bassianus, he was Syrian on his mother's side, the son of Julia Soaemias and Sextus Varius Marcellus, and in his early youth he served as a priest of the god El-Gabal at his hometown, Emesa. Upon becoming emperor he took the name Marcus Aurelius Antoninus Augustus, and was called Elagabalus only a long time after his death.

In 217, the emperor Caracalla was murdered and replaced by his Praetorian prefect, Marcus Opellius Macrinus. Caracalla's maternal aunt, Julia Maesa, successfully instigated a revolt among the Third Legion to have her eldest grandson, Elagabalus, declared as emperor in his place. Macrinus was defeated on June 8, 218, at the Battle of Antioch, upon which Elagabalus, barely fourteen years old, ascended to the imperial power and began a reign that was marred by infamous controversies, to put it mildly.

During his rule, Elagabalus showed a disregard for Roman religious traditions and sexual taboos. He was married as many as five times and is reported to have prostituted himself in the imperial palace. Elagabalus replaced Jupiter, head of the Roman pantheon, with a new god, Deus Sol Invictus, and forced leading members of Rome's government to participate in religious rites celebrating this deity, which he personally led.

Amidst growing opposition, Elagabalus, only 18 years old, was assassinated and replaced by his cousin Alexander Severus on March 11, 222, in a plot formed by his grandmother, Julia Maesa, and members of the Praetorian Guard. Elagabalus developed a reputation among his contemporaries for eccentricity, decadence, and zealotry which was likely exaggerated by his successors and political rivals. This propaganda was passed on and, as a result, he was one of the most reviled Roman emperors to early historians. For example, Edward Gibbon wrote that Elagabalus "abandoned himself to the grossest pleasures and ungoverned fury." "The name Elagabalus is branded in history above all others" because of his "unspeakably disgusting life," wrote B.G. Niebuhr.
 

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